the Art of Listening

Opera doesn’t always prepare you for real-life situations. My education in stagecraft did not include many “practical skills,” unless you include sword-fighting and swooning.  I certainly know how to: a) fall in love with a tenor b) go insane c) die of grief or d) slay an enemy. But if there are no tenors or enemies in my general vicinity, I sometimes feel unprepared.

Baby photo from hearos.com

On the other hand, opera does teach you how to listen well, and that turns out to be a very important life skill.

Listening has become a lost art. Our world is full of wonderful distractions like smartphones and nanospeakers. Multi-tasking is the norm; we need laws to prevent people from texting and driving at the same time! We communicate with everybody, but it’s hard to give anybody our full attention. We’re talking more… but listening less.

Musicians have one key advantage in this situation: we already know how to focus our attention on sound. We’ve learned to identify pitches, intervals, melodies, chords, and rhythms without any visual cues. We’ve analyzed thousands of hours of music. We take our “ear training” very seriously!

Just think of a concert violinist, alone in her practice room, drawing her bow across a string.  The intensity of her concentration is absolute.  If she notices the tiniest inconsistency in the vibration… READ MORE
Full post at www.icadenza.com

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The Fear of Flying Cellos

Life just got a little easier for traveling musicians.

Last month, the U.S. Congress passed a law that musical instruments qualify as carry-on luggage, and that musicians may purchase a seat for oversized instruments (such as cellos). See the full text of the law here.

Until now, each airline has determined its own policy.  But this leads to unnecessary stress and confusion before take-off.

As a singer, I don’t usually have to deal with this.  My instrument fits neatly in my throat!

Cello photo by Miroquartet

But on my way to Nepal in 2009, I panicked when I realized I would need to transport a flute, a clarinet, and a viola on an airplane.  These instruments had been donated to the Kathmandu Jazz Conservatory as part of the Kathmandu Music for Peace Festival, and I was responsible for them. I was terrified I’d have to put them in cargo.

My mother, who was traveling with me, threatened to wrap the viola in a baby blanket and carry it to Nepal on her lap.  She planned to tell the attendants that her baby was named Viola Feldmeth!  (That might have worked. My mom is very persuasive.) But fortunately, Thai Airways had no problem with our viola, and it arrived in Kathmandu in one piece.

The Canadian violist Paul Casey was not so lucky.  On a fateful flight in 2006, he was forced to check his $14,000 viola.  When he retrieved it at baggage claim, it had been crushed to pieces.

I recently heard a horror story about a cellist who purchased an additional seat for his instrument. It was very expensive, but at least he had the peace of mind of knowing it would be flying next to him. Then, as soon as he had strapped the cello into its chair, the airline attendant rudely told him to remove it. Shocked, the man tried to argue, until the pilot got involved. They finally forced him to put his cello in a closet.

Which makes you wonder, “why are people afraid of cellos on planes?”  Is this some kind of cellophobia (fear of flying cellos)? I mean, what’s a cello going to do at 30,000 feet? Pop a string?

Anyway, this type of thing won’t happen again.  Violists are now allowed to bring their violas aboard. And cellists have the freedom to spend a lot of money on a second seat. These are small victories, my friends, but important ones!

By the way, I think I’m going to produce an airplane movie. It will be a sequel to that horror flick, “Snakes on a Plane.”  I’m going to call it, “Cellos on a Plane.”